Nina Garcia: Bye Bye Bird

Nina Garcia has been actively moving the art of noise guitar into surprising and intriguing new spaces. She has been at it for some time now, a bit of a secret weapon all the while hiding in plain sight. As I listen to her music and ruminate upon seeing her perform it brings me to a realization which I have with very few musicians: the ego inherent in making art can be transcended through a purity of direct action. At least that's the feeling I have when experiencing Nina's music which comes across as serious and radical and wholly engaged in the moment of it's creative impulse. With Bye Bye Bird she delivers her most exalted and sublime collection of recordings for all adventurous hearts to hear. A fantastic album. Thurston Moore, London October 2024 ::: After a decade of performing concerts under the Mariachi guise, Nina Garcia has finally unveiled her unique approach in Bye Bye Bird, her first album under her name. Bye Bye Bird is her second solo album, to be released by Ideologic Organ in February 2025. With no pretence or demonstration, the album is a captivating blend of chiaroscuro, melodies, and raw emotion. Nina Garcia's album takes on an almost documentary-like quality by adopting a simple approach to gesture and sound recording. It offers a candid portrayal of a moment, a lack, a state, and a breathtaking energy. With ostinato as her only credo, Nina Garcia's music is an experiment in freedom, where the peaks answer the abysses, and the power of movement and the emotion of sound serves as her compass. From very short (01:28) to never very long (07:34), the eight tracks that make up this set explore a moment, a space, a mechanism, an intention or a way of doing things. As a common feature of almost all these pieces (all but one, the last), Nina Garcia explores a new technique. She adds to her instrumentation, reduced to the essentials (a guitar, a pedal and an amp), an electromagnetic microphone which, when held in hand, makes it possible to listen in on the exact zones where the vibration of the string creates a sound amid vast spaces of silence. The guitar is unplugged, and the body/instrument relationship changes in dimension. In this series of variations, you can get caught up in masses of noise seen from very, very close up, evocations of melodies in the making, feedback on ridgelines, pulsations that hold their own, modulations weakened by exhaustion and harmonic bursts that hint at better days to come. Neither hopelessly chthonic nor beatifically ethereal, Bye Bye Bird is a sum of musical pieces that make a whole and give voice to echoes of what has been, the presence of what is and the hope of what will be, a record movement in the form of flight and salvation. Since 2015, Nina Garcia has been researching and creating around the electric guitar, halfway between improvised music and noise. On numerous stages in Europe and North America, she has played occasionally with Stephen O'Malley, Sophie Agnel, Fred Frith, Antoine Chessex, Louis Schild or with Luke Stewart and Leila Bordreuil's Feedback Ensemble, in addition to more regular formations in which she participates, such as the ensemble Le Un, mamiedaragon, Autoreverse (with Arnaud Rivière), duets with trombonist Maria Bertel and percussionist Camille Émaille, and the installation piece de Haut en Bas, de Bas en Haut Et Latéralement (with Christophe Cardoen, Jennifer Caubet, Etienne Foyer, Anna Gaïotti and Romain Simon). -Arnaud Riviere, Paris November 2024

1. Bye Bye Bird
2. Le Leurre
3. Ballade des souffles
4. Pick-up tentative
5. Dans l’alios
6. Harsh hopping
7. Aubé
8. Whistling Memories

Shipping is available to the 48 contiguous United States. We are unable to ship to PO Boxes, International locations, or APO/FPO addresses. 

Please ensure your address is entered correctly. We are unable to redirect to an alternate shipping address once an order is placed.If your order contains multiple items, it may ship from different warehouse locations.

Tracking information will be sent as items are shipped.

Allow up to 5 business days for your order to process when calculating delivery dates. 

Note: Additional delays may occur due to severe weather or other carrier delays. 

Standard Shipping: allow 7-10 business days for delivery. Albums will be shipped via USPS Media Mail; all other products via UPS Ground or FedEx Ground.

Expedited Shipping: allow 2-5 business days for delivery. Albums will be shipped via USPS Priority Mail; all other products via UPS 2-Day Air or FedEx 2-Day Air.

Overnight Shipping: allow 1-2 business days for delivery. All products will be shipped via UPS Next Day Air or FedEx Next Day Air. 

We offer a 30-day money back guarantee on all products purchased from Victrola.com. All items must be returned as new in their original packaging, including all accessories and cables. Albums must be unopened to receive a refund. Missing items will be charged based on suggested retail prices.

All returns must be accompanied by a valid return authorization number (RMA) issued by Victrola. If an RMA is not obtained prior to shipping, the returned product will be refused and returned to sender.

If the item is no longer wanted, the shipping cost is not refundable and returns must be shipped prepaid by the customer. There is a 15% restocking fee that will be calculated based on the price of the product once the item is refunded.

If the item is defective, a pre-paid shipping label to return the product will be provided, and no restocking fee applies.

To set up a return for refund please visit Customer Care. Be sure to include your order # and reason for your return when submitting your request.

View more information about returns and warranty here.