Felicia Atkinson: Space as an Instrument

One of the universal experiences of life on Earth is staring, neck craned, at the cosmos. The vastness of one's internal life meets the vastness of space, and in that moment those perspectives fuse in a state of wonder and curiosity. Space As An Instrument, the new album by French artist and musician Félicia Atkinson, invites listeners to explore the phantasmic landscapes created in such transformative encounters, when the mind is open and receptive to it's environment. Like being absorbed by the immensity of the night sky, this music dilates the imagination and helps us to sit comfortably in the mystery of the ineffable. We are guided through Space As An Instrument by the piano, it's a linear story told through restrained, iterative melodies that become entwined with the sounds at the music's margins - a wisp of electronics, a pinprick of an enunciated consonant. They were recorded on Atkinson's phone, which was placed next to the keys, or behind her, with the sound of the room bleeding through to give a sense of the place and time of the encounter. She describes these sessions as meetings where she and the piano commune to co-create these spiraling phrases and vaporous dissonances moment by moment. Complicating this dynamic is the presence of digital pianos, which exist in the surreal space of diodes and LED displays. They act as avatars of their three-dimensional counterparts: nowhere and everywhere simultaneously. Still, the inhabited world of people, water, and wind can be heard throughout Space As An Instrument. Often these recordings are integrated into the backdrop of electronics, or reduced to the sound of movements whose physical forms are obscured: the microphone straining against a forceful gust on "Sorry," arhythmic footsteps traversing an invisible terrain on "Pensées Magiques." These field recordings take us to the brink of synesthetic experience, allowing us to glimpse with our ear the topography of the imagination. But Atkinson's music resists any kind of singular perspective on the scene, or any distinct conclusion. "It doesn't explain anything," she says, "but it translates the way I perceive it, somehow." Atkinson is a polymath by nature, engrossed in a variety of daily artistic practices that nourish one another. In her garden, she performs the slow work of cross-species relationship building, cultivating an ideal space for introspection and further creation; many of the album's vocal and electronic elements were recorded there. Poetry, which she prizes for it's capacity to render the everyday tools of meaning-making more enigmatic, becomes folded into the music as well. She paints as often as time allows. One personal limitation Atkinson finds in painting, the rendering of perspective, has become one of her music's defining characteristics. The vantage point of the listener is slippery and undefined, with sounds at once appearing gigantic and minuscule, distant and immediate. Félicia Atkinson says her music exists "on the verge of understanding and not understanding," which often precludes such literal interpretations. But in that nebulous space there is humility and openness, and perhaps enough empathy to understand the consciousness of a massive, frozen chunk of water. With the listener's perspective diffused into many different vantage points, how might that, too, become a vehicle for the development of compassion? As we listen, we encounter the wisdom that there is meaning not just in the experience of the sublime, that radical juxtaposition of limitlessness and intimacy, but also in the continuum of countless individuals that have taken the same journey.

1. The Healing
2. This Was Her Reply
3. Thinking Iceberg
4. La Pluie
5. Sorry
6. Shall I Return to You
7. Pensées Magiques

Shipping is available to the 48 contiguous United States. We are unable to ship to PO Boxes, International locations, or APO/FPO addresses. 

Please ensure your address is entered correctly. We are unable to redirect to an alternate shipping address once an order is placed.If your order contains multiple items, it may ship from different warehouse locations.

Tracking information will be sent as items are shipped.

Allow up to 5 business days for your order to process when calculating delivery dates. 

Note: Additional delays may occur due to severe weather or other carrier delays. 

Standard Shipping: allow 7-10 business days for delivery. Albums will be shipped via USPS Media Mail; all other products via UPS Ground or FedEx Ground.

Expedited Shipping: allow 2-5 business days for delivery. Albums will be shipped via USPS Priority Mail; all other products via UPS 2-Day Air or FedEx 2-Day Air.

Overnight Shipping: allow 1-2 business days for delivery. All products will be shipped via UPS Next Day Air or FedEx Next Day Air. 

We offer a 30-day money back guarantee on all products purchased from Victrola.com. All items must be returned as new in their original packaging, including all accessories and cables. Albums must be unopened to receive a refund. Missing items will be charged based on suggested retail prices.

All returns must be accompanied by a valid return authorization number (RMA) issued by Victrola. If an RMA is not obtained prior to shipping, the returned product will be refused and returned to sender.

If the item is no longer wanted, the shipping cost is not refundable and returns must be shipped prepaid by the customer. There is a 15% restocking fee that will be calculated based on the price of the product once the item is refunded.

If the item is defective, a pre-paid shipping label to return the product will be provided, and no restocking fee applies.

To set up a return for refund please visit Customer Care. Be sure to include your order # and reason for your return when submitting your request.

View more information about returns and warranty here.