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Daniel Kahn & Painted Bird: Bad Old Songs

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Artist: Daniel Kahn & Painted Bird
Title: Bad Old Songs

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Artist: Daniel Kahn & Painted Bird
Title: Bad Old Songs

1. Product Details

Bad Old Songs Daniel Kahn & The Painted Birds new album is a dark and more intimate follow-up to their Album of the Year award winning Lost Causes 2011. Originals like Kahns wicked Berliner ostalgie ballad Good Old Bad Old Days and the anti-love blues Love Lays Low meet polyglot reinventions of Yiddish folk songs and classics from Leonard Cohen Degenhardt and Heine. In the desolate borderlands between Berlin Detroit New York and Yiddishland these Bad Old Songs are the midnight reveries of a lost time that is yet to come. From Rolling Stone Germany: Poet historian radical Jewish songster and alienation klezmer virtuoso Daniel Kahn evokes the Berlin of long-ago on his new album with the international ensemble The Painted Bird. He begins this polyglot hora of an album with A Meydl From Berlin a Yiddish folksong from 19th century Warsaw and plays Franz Josef Degenhardt Robert Schumann and Leonard Cohen. In Good Old Bad Old Days he pokes fun at ostalgie East German socialist nostalgia kitsch: I remember those nights down in old east Berlin / With the microphones listening under the floor. Bad Old Songs is an extraordinary collection of sinister dark furious and mournful songs. The band this time is stripped down to a core quartet: Detroit born Berliner Bard Daniel Kahn on vocals accordion electric guitar piano ukulele banjo etc New York Klezmer Wunderkind Jake Shulman-Ment on violin Swedish Berliner Hampus Melin on drums Michigan expat Berliner and sound artist Michael Tuttle on bass The album was produced in Xberg by Berlins legendary engineer and producer Thomas Stern Einstrzende Neubauten Crime & The City Solution u.a. DANIEL KAHN PRESS QUOTES: Daniel Kahn & The Painted Bird are to Klezmer what the Pogues were to Folk: shtetl music spiked with a proper shot of Punk. . . Polyglot Paneuropean Punkfolk. Kahn writes great crooked songs between Leonard Cohen and Mordechai Gebirtig between Nick Cave and Hirsch Glik. With a light hand he translates and adapts old songs making them his own. Die Zeit Clarinet and accordion are charged with Punk Rock trombones march side by side with electric guitars. Archive treasures like Mordechai Gebirtigs or David Edelstadts radical resistance songs meet the free-spirited attitude of the New York Tzadik circle the flair of cabaret and borrowed scatterings from Waits. Stefan Franzen Rolling Stone German review of Lost Causes Daniel Kahn & The Painted Bird play Alienation Klezmer: forward-marching and backward-glancing . . . Daniel Kahn & The Painted Bird make truly great art. TAZ Everyones bouncing and drinking and Kahn sings of revolution whisky and Zion inner emigration and parasitism. He ends with the Yiddish folk song Dem Milners Trern known from the Coen brothers film A Serious Man. Daniel Kahn at once moralist and anarchist is also a man who means it all seriously. Maik Brggemeyer Rolling Stone German live concert review When its comes to wicked freaky Klezmer music the Americans were always way ahead. Daniel Kahn born in Detroit living in Berlin belongs to this caste of Yiddish music agitators. An absolute must for lovers of unusual intelligent challenging exciting folk music and a blast at every instant. Klaus Halama Sound & Image Spotlighted on the stage and dressed in black Kahn sang through a megaphone and switched between accordion piano and ukulele as he chewed up stereotypes and spit them out in an almost in-your-face challenge to the audience. Ruth Ellen Gruber Ruthless Cosmopolitan Kahns great and artful songwriting follows in the footsteps of Leonard Cohen or Tom Waits. DPA While many artists in Klezmer and folk music generally are concerned with preserving the past Daniel Kahn seems determined to bend it to his will. . .Without exaggeration its some of the best songwriting Ive ever come across. Jon Patton Driftwood Magazine. Commune-music that is furious tender crazy punky freejazzy yet always grounded in folklore ... and literature. Never before heard on a Klezmer CD. Ulrich Olshausen Frankfurter Allgemeine Zeitung Remixed traditions globalized identities criticism of nation states these things are the lifeblood of Yiddish. In Kahns own words: I come from Detroit a workers city. I love songwriters like Woody Guthrie and Bob Dylan. And especially Yiddish labor songs. You can take a song written a hundred years ago and sing it about unemployment in the US today. It still works. But while I love political songs Ive also translated and sung Sympathy for the Devil by the Rolling Stones in Yiddish. You could say I make a kind of Yiddish punk cabaret. New Zurich Zeitung Daniel Kahn is helping Klezmer reach a new renaissance seasoning it with folk punk and deep-digging lyrics full of sarcasm and wicked self-irony. Alienation Klezmer is how he describes it. It reminds us of a time when musicians still had something to say. . . Of course Daniel Kahn & The Painted Bird get you dancing as much as some other Gypsy or Klezmerbands but they challenge your mind as well. Its almost genius how his music breaks taboos Armed with megaphone and accordion at the piano or with a guitar even on the theatrical stage he fills his music with spirit directness and feeling. Claudia Frenzel Folker Magazine The Great Depression and gave rise to some of the fiercest critiques of modern capitalism and imperialism in any discourse. Daniel Kahn a Detroit born singer songwriter now living in Berlin is part of that tradition while at the same time creating a new musical idiom blending American-folk and Yiddish protest song. Kahn 30 is a post modern folkie just as likely to quote from the Industrial Workers of the World songbook as to cite Marxist critic Slavoj Zizek. -Rokhl Kafrissen The Forward . . .much more exciting than the assimilated all too stable life that characterizes much of contemporary Jewish art. Kahn is reminding us of the roots that arent even that deep in the ground echoes of our national unconscious that have what to offer those who hear them. Kahn attempts to pick up exactly at the place where things went wrong for Jewish art offering a new route instead. Jake Marmer The Forward Hes like the Jewish Bob Dylan -a real old lady at a concert.

1.1 A Meydl from Berlin
1.2 Love Lays Low
1.3 Good Old Bad Old Days
1.4 Die Alten Lieder
1.5 Groys Dasad
1.6 Story of Isaac
1.7 Godbrother
1.8 The Marriage Hearse - Umet Umetum
1.9 Die Alten Bsen Lieder
1.10 Olaria Olara


H 0.35
W 4.96
L 5.49

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